Vita

Explore Ed Burnam's history as an artist and discover past Awards and Shows, Presentations and Publications, and Community and Academic contributions.

Education
Master of Fine Arts, February 2000
Vermont College, Norwich University
Master of Arts, May 1994
Ethnic Studies; San Francisco State University
Emphasis on American Indian Education; 3.75 GPA, Graduated with Honors
Bachelor of Fine Arts, May 1992
San Francisco Art Institute
Emphasis on Printmaking; 3.95 GPA, Graduated with Honors
Awards & Shows
Changing Hands: Art Without Reservation 3
McMichael Canadian Art Collection, Kleinburg, Ontario
Changing Hands: Art Without Reservation 3
Memorial Art Gallery, 500 University Avenue, Rochester, NY
Changing Hands: Art Without Reservation 3
Museum of Art and Design, New York, NY
Haudenosaunee: Elements
Everson Museum, Syracuse, NY
Exposing Scarlet
Ross Gallery, Kings Drive, Charlotte, NC
When Did We Meet, Solo Show
Ross Gallery, Kings Drive, Charlotte, NC
From the Iroquois to Haudenosaunee
Gary Famer Gallery, Sante Fe, NM
Following in the Footsteps of our Ancestors
Richard F. Brush Art Gallery, St. Lawrence University, Canton, NY
Exposing Scarlet
Boston Center For the Arts, 539 Tremont Street, Boston, MA
Artscapes - Contemporary Iroquois Art
Gallery 37, Frankfurt, Germany
What Are We Leaving For The Seventh Generation?
Iroquois Indian Museum, Howe’s Cave, NY
The Culture Of Nature: Artists Explore the Environment.
The Chocolate Church Art Center, 798 Washington Street, Bath, ME
Wiping Away Tears, Starting Over With Good Words
AICH Gallery/Museum, 708 Broadway, New York, NY
Death Penalty Show
Flynn Dog Gallery, 208 Flynn Avenue, Burlington, VT
You're Walking on Me
AICH Gallery/Museum, 708 Broadway, New York, NY
The Marriage The Birth, An Opera Performance
Vermont College, Montpelier, VT
Indian Boarding Schools: Outdoors Installation
Vermont College of Norwich, Montpelier, VT
The Red Millennium
AICA Gallery 23 Grant Avenue, San Francisco, CA
Afishionado
Sticks Fine Art Gallery, 1579 Solano Avenue, Berkeley, CA
Post Modern Pow Wow, 12 Hour Performance
San Francisco Art Institute, Parking Garage, San Francisco, CA
Group exhibition of Native American Alumni
From the San Francisco Art Institute in celebration of the 125th anniversary at American Indian Contemporary Arts
Mixed media installation piece including computers and video technology
Solo exhibition of prints, paintings and installation
Anna Veyna Design, San Francisco, CA
Native Survival: Response to HIV/AIDS, Cover Print
American Indian Community House Inc., New York, NY
First and Second Place Showings
New York State Fair, Indian Village Show (This show is exclusive to Iroquois artists)
Pequot’s Art Show
Washington, D.C.
Volume I, Book Arts By Native American Artists
Thirty-Three Artists' Books from across the U.S. and Canada.
Organized by American Indian Community House Inc., New York, NY
San Francisco, New York & New Orleans
Contributed Work for Art Reach
A non-profit agency that supplies artwork for organizations dealing with HIV positive people.
Presentations & Publications
August 2009
Charlotte Arts, Public TV, CPCC. Half hour interview with Edward J. Burnam Jr.
July 2009
ARTTALK, Smithsonian National Museum of the American Indian
In conjunction with You're Walking on Me, AICH Gallery/Museum, 708 Broadway, New York, NY
January 1997
Artist As Citizens Conference
Headlands
August 1996
Panel discussion on The State of Native American Art at the American Indian Contemporary Arts
Participants included Larry Thomas, Dean of Students, SFAI and Sarah Bates, Former Curator
American Indian Contemporary Gallery
January 1996
Series of interviews conducted by Cathy Chapman for KPFA radio on issues facing contemporary Native America,
such as: Gaming, Education, Religion, Feminism, Economics and Culture Studies. This is a thirteen-part series.
July 1995
Interview / Documentary with CBS Australia on Lacrosse in and out of Iroquois culture
April 1995
Lecture / Presentation on Relationships in Art
American Indian Contemporary Arts
April 1994
Half hour discussion on The Influence of Ethnic Studies in Higher Education
College of San Mateo, KCSM Television
Spring 1994
Published in American Indian Studies Journal, The Creation Myths of the Mohawks
San Francisco State University
February 1993
16th Annual American Indian Educational conference on American Indian Art, Education Curriculum design
Community & Academic
2005-2022
Adjunct Faculty - Drawing & Printmaking, CPCC
2011-Current
Assistant Coach, Charlotte Country Day Girls Lacrosse
2009-2011
Advisement Board, Harris YMCA Performing Dance Company
2010-11
Chair, North Carolina Independent School Girls Lacrosse
2011
Winner of “The Carl Bolick” coaches award CDDS: For Excellence of Character, Sportmanship and Service
2007-2009
Board, North Carolina Highschool Girls Lacorosse Association
2005-2011
Head Coach, Charlotte Country Day Girls Lacrosse
1995
Appointed by Dean of Ethnic Studies to Commission on University Strategic Planning to “Towards Teaching and Learning Success Planning Group”
1995
Appointed to Advisory Board for Native American AIDS Project
1995
Student selected Faculty Advisor for Many Tongues, Native American Student Journal
1995
Student appointed Faculty Advisor, Native American Fraternity
1994
Visiting artist and outside consultant for the School of the Arts, San Francisco unified school district
Designed the program to inspire Native American students with an expressed interest in the field of visual arts to focus on exploring their heritage through various arts media.
1993
Developed an art curriculum for the clients of Native American AIDS Project
This project put student artist in one on one teaching learning situations with clients. The culmination of the project was a collective book.
1992
Worked with Kit Cameron at the Sanchez Elementary School, teaching art to a special class of at-risk youth
1992-1994
Faculty Advisor, Student Kouncil of Inter-tribal Nations (SKINs)
1990
Designed and coordinated summer arts program for Title V American Indian education. Children from ages five to twelve.
This is a BIA sponsored program. This program combined art and tradition as a method of understanding culture.